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Although the weather rather an umbrella would require Lars Eidinger sits with a huge pair of sunglasses in the coffee shop in Berlin-Mitte. Previously he had Incognito such measures had not needed, it says welcome and pushes the accessory on the forehead. But now, when the first movie had begun with him ...
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"All other" Berlin theater actor in cinematic pinnacle catapults. From zero to hundred. And quite rightly so. The "Silver Bear", with film partner Eidingers Birgit Minichmayr deservedly was awarded, it would actually have to give double pack.
"Previously, I have no more than once a week with my agency phoned," says Eidinger. Since its premiere in February at the Berlinale has his agent at least three times daily on the blower. Home and pile up the scripts. On Sunday, the 33-year-old actor, footballer and amateur DJ in Schweriner "Polizeiruf 110" on the side of Fritzi Haberlandt dubious transactions with the Eastern European mafia metal handle. And for the Hessischer Rundfunk, he just Nicolette Krebitz and Devid Striesow, his old buddy study by the Berlin Drama School Ernst Busch, the triangle "relationships".
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His first feature film has Lars Eidinger Nina Haun thanks to Casterin for "All other" director Maren Ade. It is ordinary visitor to the Berlin stage show - he heard there have been ten years to the top ranks. His appearance as a party organizer in Shakespeare's "Midsummer Night's Dream", the Schaubühne Chief Thomas Meier Easter and choreographer Constanza Macras three years ago as an oblique-sultry Sommerfete staged, is in theater circles as legendary.
Eidinger presented not only a striptease out of every professional GoGo-Boy would turn green with envy. Then he put his penis still devotedly through the mouth opening in a skull mask, let him like a heavy, alcoholic herausrüsseln tongue and then voiced stylish lofty Shakespearean verses. The youth magazine "Now" the Süddeutsche Zeitung, he was specifically in this case give an interview: "As it is, in front of 350 people out."
Who, however, it concludes that in expressive Eidinger nonchalance about his characters hinweghuscht, wrong. The actor is a perfectionist and precision artists, in the middle full speed and stop suddenly with a single glance can tell 27 stories. Just like in "All other" where Eidinger Minichmayr and from the Italian Vacation heitersten sky out the emotional Super-GAU herbeispielen - just by the way, the other on or to drop him.
Eidinger has thoroughly prepared for his role: From a fellow architect, he settled for a few weeks as an intern in an architectural office infiltrate. "During the lunch break, I have extensively on the city railway station Lehrter gefachsimpelt," he says, grinning. "But I just wanted to not fall for clichés and an architect with designer glasses and black turtleneck sweater to play."
The effort has paid off: The degree of identification is enormous. Many involved in the production of mid recounts Eidinger, had during the filming of their partners separately. His own wife, opera singer Ulrike Eidinger, noted, however, only critical to almost every sentence of his movie character Chris at least once even heard of him to have.
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No wonder - but Eidinger counts himself at that generation, the ancient tragedy on the stage rather ironically breaks and the great drama of life in the rather moderate relationship Talk small hacks. "I would be happy if I could say no," admits Eidinger to the question of how he deals with his character Chris identify.
That his view of this generation is free of moralizing Oberlehrerhaftigkeit, but nevertheless critical, has just Eidinger in his directorial debut at the Berlin Schaubühne demonstrated. There, he forcibly Schiller's youthful revolutionary drama "The Robbers" quickly into a disco karaoke.
Where the student Karl Moor in Schiller a gang of robbers after Robin Hood and fast model based on border issues of idealism and terrorism lands, dances, the apolitical generation Eidinger nurmehr by eighties hits of Rod Stewart and Queen. "Today it is completely irrelevant whether I am Michael Jackson or the Che Guevara T-shirt wearing," says Eidinger. "Nobody knows what these people really are."
Scarcely had he at the Berlinale film his celebrated debut, he was with his "bandit" production directed to the Munich Junior Festival "young radicals" invited. Where will the pendulum turn, to the stage or screen, is as yet unknown.
In the review stage dances under his Eidinger further Breakdance Danes as Prince Hamlet on the stage, his colleagues bewirft filled with tetra packs and wedged itself headlong into Dekovorhängen. Until he suddenly very still remains, in the auditorium looks and the famous Shakespeare line says: "To be or not, that is the question."
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