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The one or the other they had compliment to her grave, they drove some of defamation to new peak. "A German girl in pure culture," Joseph Goebbels enthused about it after it at the end of the war first film had seen pictures. "Gift for the Youth" was the early fifties on flyers after the premiere of "The sinner" called only for a few seconds because her breasts on the screen to see was.
Egoli Tossell Film / MMC Independent
Mysterious Rose: Hilde (Heike Makatsch) in the recording studio
There is probably hardly any other German star, the so consistently as a projection surface for longings and anxieties of his time has been used - and these attributions repeatedly undermined virtuosically to re-invent. Hildegard Knef was a total work of art. Impossible to say where the real Hilde stopped and the stage persona Knef began. After all, how do we pay for an artist who her autobiography merely as a commodity that was from a large to survive I had to shape?
This makes it difficult to explore the ways in which the little one to Hildegard Knef was great and the other as the true Hilde behind the stage looked ego. The makers of the film biography "Hilde" have tried it anyway and are the most important life stages of the artist.
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