Toy robots conquer the (cinema)-world.

About 200 million U.S. dollars turnover in just five days - that is the impressive start of the balance action spectacle "Transformers - The Revenge" in the U.S. alone. In Germany, too, defied the oversized toy robot successfully the summer weather.

 

Los Angeles / Hamburg - No doubt about it:
With "Transformers: Revenge of the Fallen" (German: "Transformers - The Revenge") has the Hollywood blockbuster of the year found. According to industry magazine "Focus on Film" played the action spectacle from director Michael Bay weaker after figures on Wednesday and Thursday on Friday astounding 36.7 million U.S. dollars one. On Saturday, there were 39.5 million reported for the Sunday and the producing studio Paramount initially estimated 36 million U.S. dollars. This would have begun in 4234 cinemas movie already recorded 201.2 million U.S. dollars - that would be the second best five-day results for "The Dark Knight" (2008).

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A scene from "Transformers - The Revenge": Worldwide Robotic Alarm

Place two of the North American film charts Vorwochenspitzenreiter went to "The Proposal" ( "Of course, the bride"). The romantic comedy with Sandra Bullock put on her second week at 18.5 million U.S. dollars (total: 69 million). Placed behind the box-office phenomenon "Hangover" solid again with 17.2 million U.S. dollars (total after three weeks: 183.2 million). Pixar's "Up" began at the weekend again to 13 million U.S. dollars and with over 250 million U.S. dollars so far strongest film of the year. But the Transformers race has just begun. For the fine ensemble film "My Sister's Keeper" ( "When life my sister") by Nick Cassavetes (including Cameron Diaz, Abigail Breslin, Jason Patric, Alec Baldwin) was the robot a little too loud roar. The restart began in 2606 cinemas only 12 million U.S. dollars in order.

"Transformers - The Revenge" also admitted from outside the United States: 181.6 million U.S. dollars, the Filmkoloss world order, which is a total release of 384 million U.S. dollars is - almost twice the reported production of 195 million U.S. dollars.

VIDEOS ON FILM

Photo: Paramount
Video: sac

"Transformers - The Revenge"
The second part of World Rescue

Movie Trailer: "Transformers - The Revenge"
Film clip: "Hot, but not too clever"
Film clip: "China speaks of a chemical accident"
Film clip: "We have to jump"

Also in Germany trumps the "Transformers" and meaningful to end a series of rather tired Movies weeks: While Michael Bay's first robot spectacle two years ago, with 595,859 visitors had been able to continue, last Wednesday launched in 679 cinemas, a significantly better result reach and drew loud "Focus on Film" expected 810,000 spectators in the cinema.

For second place, the long-running wrangle
"Illuminati" and "Night at the Museum 2" with 100,000 spectators, followed by "Hannah Montana - The Movie", which once attracted 75,000 spectators. The top five Decides
"State of Play" with 70,000 visitors. New in the top 20 of the German cinema charts are also "The Countess" with 10,000 visitors (66 copies) and
"Home" with a little more 5000 spectators in 32 cinemas. In total, some 1.5 million people into the cinema.

In Pepita dress on the crash.

Living on the edge of a motorway stretch unbefahrenen: In Ursula Meier's film "Home" are the characters so unusual as her residence. What begins as Familiengroteske, turns out to be a clever parable on the expulsion from Paradise.

 

It's like these double images in the puzzle books, which by nine errors differ. Since this is heaven, at first sight, summer blue and bright. And yet we recognize that a few miles away the city and transport their grubby mix colors. Even the silence is so that they are without their counterpart not quite imagine. It is more like a breaking a ceaseless noise than a quiet secluded provenance.

And finally there are those people who, prima facie, a bit trashy and unkempt. In any case, so that in the cinema must always accept the fate they would like in passing along huge dive, until it is small and gray and look completely pathetic. But in her kingdom in "Home" are a peculiar lights on.

And it can still be a lot of mistakes and irritations list, but since one is already in the midst of this wise, amazing, tragicomic, small, big debut work of Swiss director Ursula Meier, to the Jacques Tati and Pasolini recalls. Because it in unexpected moments of being stubborn and in the foreseeable supposedly surprised. Because it is with his characters endureth, when you need it and to the amazement of human states of emergency has kept.

VIDEOS ON FILM

Photo: Arsenal
Video: Arsenal

"Home"
Trailer and Film Clips

Film clip: "Good morning"
Film clip: "This time they come"
Film clip: "You heard nothing"

It is a peculiar luck to unbefahrenen a motorway stretch. A shabby house that is so isolated as the only other movie "Psycho"-real estate. The viewer is literally suspended between a couple of good to himself, lazing or playing werkelnden people. A durchgesessene sofa furniture, deck chairs, grill, hockey sticks and other toys, or are simply distributed over a roadway, which was not finished, and never be finished, and just for the fun of the family occasionally even as a private runway traffic is .

The son with outstretched arms to slide along the barrier up and down. The oldest daughter lies down in bikini in the sun and spins on their ghetto blaster. Your sister makes sensible homework. The mother (Isabelle Huppert) depends on laundry or cleaning the vegetables from the garden under the kitchen window. There is a ping pong table, the Bauruine a swimming pool, which the father (Olivier Gourmet) in these summer holidays finally ready to put. An idiosyncratic property, so perfect in its own way and so tentative at the same time.

Its anarchy is its demonstrative Sichselbstgenügen, in his indifference to any social connection. Its internal structure, but through a touching Kleinbürgerlichkeit that draped to the happiness of the fifties recalls.

Mother Martha is blessed here, they do not want to return to the city. Whatever occurred which may be given. If Martha wants to make it wippenden with Pepita-chic dresses, with their children climb over the rails, walk through the adjacent fields and makes a big tree at a picnic. And when Father Michel, craftsmen, in cowboy boots, with gegelten hair, humming from work to his family back and his delicate wife mighty arms around the waist sets, it is clear that the couple, his rockabilly romance preserved. And that only ignoramuses in this untidy, and reverie in his way of life nothing more than recognize Prolltum want, which is probably out of shame and pride, not the rest of civilization away.

If "Home" at night with his protagonists in this monstrous silence at this strange enchanted place listens, understands you, who here plays Idylle. But we also feel, how manic unconditionality its inhabitants are increasingly on their empire einbunkern. The invasion is only a matter of time. And one day, then roll actually the first building on.

HOME (SWITZERLAND, 2008)

Director: Ursula Meier
Screenplay: Ursula Meier, Antoine Jaccoud, Raphaelle Valbrune, Gilles Taurand, Olivier Lorelle
Cast: Isabelle Huppert, Oliver Gourmet, Adelaide Leroux,
Production Company: Box Productions, Archipelago, Need Productions
Rental: Arsenal
Duration: 97 minutes
Start: 25 June 2009
Official Website

The family verstöpselt the ears, mauert windows and doors, padded walls, moves into the basement and blink only by an air slot in the outside world. You must be connected to the disaster sentiment in Michael Haneke films think. There is the same wordless, the same cold aggression, the same disturbing unconditionality. The trucks and cars come at some point on the finished motorway angebraust first individually, then in the sheet metal snakes of the holiday traffic jams.

That is the deadlock, which is the image on the film all the time is also keen. Because in that moment the true pathology of the family to endure the self-noise insulation to the arrest of post-modern mobility euphoria. And Ursula Meier is so clever, not a position to win points to emerge.

"Home", among others, the Swiss Film Prize 2009 was awarded Quartz, is not environmentally-conservative fairy tale, not a song on the High utopia to her. It is a very clever sly parable about a modern expulsion from Paradise, and about happiness, which makes it only as manic Weltverleugnung can give. A double screen full of errors and mistakes. And the biggest perhaps denying that a decommissioned highway leg, above all there is to fly her to practice.

A very clever Fox.

"Fuck Disney!": A serious character roles Megan Fox had not yet, but a large door, their own opinions and a stunning appearance. The 'Transformers' star is Hollywood's new sex symbol, and is applied to, Angelina Jolie's successor to be - as an anti-Everybody's Darling.

 

Every year in summer, when Hollywood material on battles, and computer effects take over the government, also managed to interview actor smart machines. Last Christian Bale and Hugh Jackman to its current films: word empire dictated the psychological development of their characters into the microphones of reporters. Knowing that there is money printing machines, such as "Terminator" or "Wolverine" course, only goes to show values between which character nuances of staff will be happy pulverisation. The term "Blockbuster has its origin not in vain for flying bombs, the whole blasted blocks.

Ironically, when "Transformers - The Revenge", however, the most expensive, loudest, yes superlativsten spectacle of the season, there are suddenly very different sounds to be heard. "No man does as if it were to make the story - beautifully stupid, who is trying to analyze everything," was, for example in the British cinema leaf "Total Film". Or: "This film is not intended to change your life - and if you do not want to see, then you save your money and stay at home verdammt nochmal".

Birth Name Fox

This refreshingly true words come from Megan Fox to the Anglo-American region is currently a cult of personality, will like him even the Hollywood star factory is not every day experiences. In the weekly cycle adorn the 23-year-old actress title pages of renowned pop culture magazines. Alternatively, the film is a partner of Shia LaBeouf in "Transformers" to replace Angelina Jolie ( "Entertainment Weekly"), or at least to the woman of the year ( "Esquire") explains. Hyperventilierend fans and paparazzi pursuing the status of their six in production or are planning follow-up projects.

A glance at any photo of Fox, whose credible, but very impressive full surname allegedly since her birth in Tennessee in the passport is not necessary to investigate, since they are by Terry Richardson in October 2008 for GQ in bikini with cherry or ice between the voluminous lips photographed, has the industry on their fantasy production than men, as a foxy lady, set.

The presentation of director Michael Bay delivered almost two years ago in the first "Transformers" movie, Fox when he was in tight miniskirt and top free bauch a car engine was inspected - and with this key abgeschmacktesten all stimuli (PS plus Lolita) a moment of cinema history has created the at least the present generation of 16-year-olds will never forget.

In the second part of the Transformers saga, the effect of "shameless" (Bay) with Hot Pants and motorcycle repeated what many reviews to go even critics like it better than exploding robots.

VIDEOS ON FILM

Photo: Paramount
Video: sac

"Transformers - The Revenge"
The second part of World Rescue

Movie Trailer: "Transformers - The Revenge"
Film clip: "Hot, but not too clever"
Film clip: "China speaks of a chemical accident"
Film clip: "We have to jump"

That everything would be just another example of the degradation of young U.S. actresses and singers for sex objects and symbols, if not Fox himself at every opportunity with confidence and with wonderfully large flap lose distance of such mechanisms. "Acting is a strange profession," she says, "because we are paid for, love and attraction reply. That is ultimately nothing more than a form of prostitution. But I had no idea before I came into this business, how many disturbed persons of the job attracts. Most actors are narcissistic alcoholics or total simpletons and mentally - it was heartbreaking to see how many big stars from me admired nothing better to do had me on as a greasy way to bed to attempt to draw when I personally met. "

Megan hates Disney, loves marijuana

To say that her prominent colleagues in the laundry wanted to go as far Fox will not. And it is certainly not as if they are with hands and feet against the marketing of its exterior fended - recall their appearance in the outrageous slit dress recently at the "Transformers" premiere in Berlin. But because in Hollywood these days just to be able to survive, who made all the joy of storytelling and a strong business sense, they are perfectly positioned as an anti-Everybody's Darling. As a counter-draft to actresses, the "summer dress with crossed legs obediently at David Letterman and sit by their cars to tell the environment, because it gets for cheap applause."

Instead, Fox compensate their frustration over its assigned role Püppchen with common sense and sharp tongue. The Disney group attacked them ( "Fuck Disney") because of his rigid moral standards of young stars like Miley Cyrus. The religious right designate them as "engärschige, Bible-wedelnde Ms enemies." And the easier drug demonization derided them with the words: "Once marijuana is legalized, I'm the first in the queue for a few joints to buy."

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All views that we must not divide, for their courageous man defense but Fox would like to hug, because such a thing in Hollywood unless you exceed men dare to say, most of Sean Penn or Mickey Rourke. Among young women in Hollywood is holding a foreign word. Not for nothing ätzte director Steven Soderbergh recently that he is now "more natural images in the porn industry than in mainstream Hollywood" find.

The effect of openness Foxschen may be calculated. But although they have not in any significant character role was to be seen, this newcomer has already been a public profile that makes curious on upcoming films, "in which I actually acting and not just decorative bin.

Even this fall will start "Jennifer's Body" to a script of "Juno" Oscar-winner Diablo Cody. Followed by the Voodoo-Western "Jonah Hex", where heavyweights like Josh Brolin ( "No Country for Old Men") and John Malkovich their partners are. Only two of several projects specifically requested wish, in the comic book culture have their origin and Fox, whose private movie taste with which the target covers only right to dream of all Fanboys will make. The chance, however, by posing the drama back into the background to let Megan Fox has always deserved.

Immigrants for removal from the cinema Walking.

Sex against immigration! Honor killing! Terror teens! The star cast film "Crossing Over" to the consequences of legal and illegal immigration issue in California. The result? At least as honorable as failed.

 

It's always nice when Hollywood stars sometimes turn to smaller projects. Something with the right message and not always from the Kommerzeinerlei action blockbusters and romantic comedy. Sometimes even with the Oscar winning success that, as in "LA Crash" by Paul Haggis from the year 2005: glamor Gutmenschen like Sandra Bullock, Matt Dillon and Don Cheadle were doing that because in order to set a sign against racism in the everyday Los Angeles.

"LA Crash" seems to be the blueprint to have been for "Crossing Over", Wayne Kramers attempt to address the problems of illegal and legal immigrants in California to be closer. By weaving together episodes and a rather impressive cast of Harrison Ford and Ray Liotta about Ashley Judd, the Panoptikum a social imbalance be extended, committed and with the times.

The Grenzcop Max (Ford) meets in a raid on a Mexican, which must be expelled immediately, but her young son behind, then the Max, from a bad conscience tormented, trying to find. His colleague Hamid (Cliff Curtis), successful and seemingly well integrated policeman with Iranian roots, however, must address issues of honor and family loyalty deal of controversy as its western-based conservative sister and his father starts to escalate. An Australian actress (Alice Eve) tries to get her green card through sex with an unscrupulous officials (Liotta) to erschlafen. His wife (Judd) in turn supervises a Muslim family, which threatens auseinanderzubrechen after the teenage daughter in the terrorist suspect. Then there is a Korean boy (Justin Chon), shortly before his naturalization, but also from a career as a member of a gang. And a British musician (Jim Stuergess), of his Jewish background as a ticket for a residence permit to use tried.

Now is also signed "LA Crash" is not always an excess of subtlety from. But "Crossing Over" is so fixated on stories allerhaarsträubendsten (sex against immigration! Honor killing! Terror Teenies !!!), that sometime in the credibility nagt. The actors provide superior work, but in almost every narrative strand, the fate so cruel to that someday they will no longer remain as a facial expression of shock and deep concern. Only in the history of the Jewish musician is occasionally a little too cheerful, then what the face of misery trappings again may not fit properly.

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Some plot lines - especially Ford - are gripping and suspenseful told, but are undermined by the silly compulsion, that the stories always eventually intersect and influence them.

Is it an aging cop on them, just a lost child and then lost his mother to look for when you incidentally nor clarify any honor from killing him? If it does not exceed 30 in total of 113 minutes of film time arises?

"Crossing Over" has too much content and too little time for all good intentions into a convincing movie bundle.

And good intentions alone, which has never served.

Dual voltage at the Oscar.

Ten instead of five - twice as many movies as before may be the future hope of the Oscar for best film making. Even animated films and works from abroad have a better chance. Trigger for the new regulations was a mega-blockbuster.

 

Los Angeles - As heard in the movie: It is a super hero, behind one of the biggest changes to the existing rules of Oscar's - Batman.

REUTERS
Where, please go to the Oscar race? Scene from "The Dark Knight"

In future, instead of five, ten films equal opportunities on the main price. That did it last in 1943. At the time, won "Casablanca."

"After more than six decades, the Academy will return to its roots, when a larger field for the top prize of the year, struggled," announced the head of the Academy of Motion Picture Arts and Sciences, Sid Ganis, on Wednesday before the press in Los Angeles. The result remained the same, however: At the end there will be only a "best film of the year" type.

According to Ganis allow the reform, the future of documentaries, foreign films or animated films should be taken into account: Ten nominations could be "some of the fantastic films to come, often in the other categories appeared" from the race for the top prize but rausgedrückt have been. "

So this year was one of the world's most successful films, 2008, the Batman movie "The Dark Knight" to the annoyance of many fans just nominated as the animated film "Wall-E". As best film was finally shot in India tragicomedy "Slumdog Millionaire."

Ganis admitted that the controversy surrounding "The Dark Knight" at the decision to double the nominations, a role played.

Also, the Oscar organizers on more television viewers in the hope Award. "We know that the people who Oscar Gala turn to their favorites to help - and ten nominations obviously draw more fans than five," said Tom O'Neill of the website theenvelope.com the Los Angeles Times.

The 82nd Academy Awards will be on 7 Awarded in March 2010.

The silence after the thunder flash.

Terrorist and victim to close: In this provocative as fulminant RAF drama "Shadow World" chasing a young Rächerin the presumed murderer of her father - and the disastrous German Autumn rampant in the present.

 

Before the prison jostle the television crews, the last single prisoner of the RAF is released. When a car drives through the gate, stop him immediately after the press, finally, because the ex-terrorists are sitting there, still so many mysteries with rumträgt. Who was it really, at the time the fatal shots at the bank president has?

The media people will refer the matter to this day no longer get answered. When the atrial gelichtet has, namely, the man enters from a side exit, all the excitement is: Volker Widmer (Ulrich Noethen), a former RAF member of the second generation, for 22 years in prison, once again a free man in a small cars, he finally without any journalists clamor from his lawyer in his new life there, a panel on the outskirts of Freiburg.

The silence after lightning flash - it is perhaps the best starting point for a drama about guilt and retribution, to eternal truths lies and last for a movie, the big issue in the smallest possible frame negotiation. In the great initial setting of the RAF-drama "shadow world" looked at the camera control the press or from extreme distance - to the course of the film very close to the ex-terrorists ranzugehen. But as someone who can really come close?

22 years now make up a prison does not soften. Widmer contributes almost a shield from vulgar militancy before him, and old struggle Fäkalsprache terms are used by him to an armored voice melded. In the flat panel arrived, builds the same ex-Knacki still sparse Ikea furniture than Wall around on. The CD shelf as he assigns a grid before the window, the prison is also dismissed a piece certainty.

VIDEOS ON FILM

Photo: Salzgeber
Video: Salzgeber

"Shadow World"
Trailer and Film Clips

Film clip: "I call the police"
Film clip: "I can undress yes"

Finally, it is still Widmer at war with the world, even if the enemy can no longer designated. The old radicals: The struggle continues, failing him, he just with himself

But that is not necessary. Because in the apartment next door, a young woman eingemietet that it actually has a man apart: Valerie (Franziska Petri) is something like a forgotten history. My father was a gardener at the terrorist cell of Widmer Murdered banker - and arrived at the attack also killed. Now she wants the ex-RAFler personally accountable for. But he was there at all, the fatal shots has competence?

The facts of the situation in the "shadow world" remains ambiguous, and that this film may be on the credit side of. Director Connie Walther makes sense in two seriously with the title: Just as the two protagonists unsettledness not out of the shadows of history into the light of the present finding, it remains the exact sequence of the historical crime in the dark. But precisely because such a paradox, the director brings the issue painfully efficiently into the here and now.

SHADOW WORLD (GERMANY, 2008)

Directed by Connie Walther
Screenplay: Uli Herrmann, Peter-Jürgen Boock
Connie Walther (Co-authors)
Cast: Franziska Petri, Ulrich Noethen, Uwe Kockisch, Tatja Seibt, Eva Mattes, Christoph Bach, Mehdi Nebbou, Gottfried Breitfuß
Production: Next Film
Rental: Edition Salzgeber
Duration: 92 minutes
Start: 25 June 2009
Official Website

Instead supposedly safe distance from the German Autumn as manageable, completed Chronicle to present
as recently as a major research venture and reconstruction of the "Baader Meinhof Complex" has done, the conflict is rampant in "Shadow World" (Co-Author: Peter-Jürgen Boock; Screenplay: Uli Herrmann) malign the present: In the figure of the RAF Veterans Widmer can be seen easily bonds to Christian Klar, who recently after 26 years' imprisonment was dismissed. And Valerie child victim is in urgent need of their past certainties similarities to Michael Buback, which is still tormented by the question is, who exactly 30 years ago, his father, the Federal Prosecutor General Siegfried Buback, murdered has.

ON TO ONLINE blogs

Eichinger "Baader-Meinhof Complex": The Terror Illustrated (18.09.2008)

Schlink's novel RAF: Weekend 'pig and bull (28.02.2008)

ARD Stasi Drama: mistress sniffing pig (15.04.2008)

Photo Series: Duel of the forgotten

How these allusions incorporated into the film, which is likely not appeal, especially in the development of the project, including the former RAF member Peter-Jürgen Boock has acted not as an absolutely reliable in terms of historical analysis is valid.

But with provocative productions Connie Walther has been experience.
For their TV "12 says: I love you" she said two years ago, the love story between a Stasi officer and a victim of his interrogation. Before broadcasting ran several storm victims associations against her work because it has a trivialisation of the GDR's feared crime and later gave it to right the German Television Award.

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Changing the subject, the same thrust: As in East drama is now the RAF Spätfolgenstudie "shadow world" of the matter, as victims and perpetrators equally active characters can be made to somehow act on an equal footing, without the suffering of one and the guilt of the other to be put. Walther find a few strong, disturbing images, such as when the ex-terrorist and Rächerin smoke pot on the balcony, while below them in the garden the lives of others takes place. Third, the world is them two in the same way - just as is the old man responsible for ensuring that the young woman as well.

In reality, there is between perpetrators and victims silenced. One can not be forced to talk (or talking about things but the only way), the others wait in vain for final truths. The RAF blockbuster "Baader Meinhof Complex" because nothing has changed. By daring narrative order, the prolongation of the conflict in the present triggers Walther director with "shadow world" but in the sense of shame, fear and pain, to stare. Maybe it just needed the silence after lightning flash.

Evil dead children full games.

Subtle horror, beautifully photographed, the Catalan director Juan Antonio Bayona and his Kinderspuk "The Orphanage" a thriller set up, it showers with modern classics like "The Sixth Sense" can hold.

 

Unapproachable affects the stately property with a beautiful park on the Gulf of Biscay, the former orphanage, the Good Shepherd. Here are Laura, her husband and eight-year-old Simón freshly collected, here lived the little Laura a long time until adoptive parents for them and they found their companions left with which they are so fond of playing hide.

DPA
"The Orphanage", actress Belén Rueda: Dark Seinsformen

Here now, the young woman with the enormous emotional permeability vulnerable children love and security, together with the bright Simón. Her terminally ill boy is adopted, it is not white. He was happily at ease in the house on the beach with new friends - friends imagination, which only he can see.

GREAT MOMENTS CINEMA

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And Laura will begin their part, foreign Seinsformen darker with Villa in the corridors dämmrigen exercise, sometimes they encounter a child with a cloth mask and feels worried. As Simón big celebration ceremony will disappear and will remain disappeared, his mother is beside herself, her month-long search seems futile. Until finally the Laura wanton, childish ghost in her villa directly confronted. Now, with them hiding the old games, the grim mystery of orphans Horts discover how they can find Simón.

Spanish director Juan Antonio Bayona plunges his ill-fated children dead games in mild, Fahle colors, less disturbed by shock effects than other trappings of the genre, by noise, by mysterious clues, puppets or masks, the props to avoid visual exposure. Slowly, he Lauras psychological erosion, which is surreal in its reality structure, spreads a subtle, cool about the whole horror, beautifully photographed film.

To fall into this atmospheric, specialists from the nightmare of Guillermo del Toro mitproduzierte mystery thriller about separation and Vergangenheitsbewältigung to fear of the finality of death and doom, to the elegant Schauerfabeln recent times, to "The Sixth Sense," "The Others" or the classic "The Innocents" of 1961.

DVD EDITION: The orphanage

Great Cinema Moments - The Orphanage
FSK released from 12
Runtime approx 101 minutes.

Director: Juan Antonio Bayona. With Belen Rueda, Fernando Cayo

BMG Video / Universum Film
April 2009 - DVD-Video

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Deep-scale, transcendental psycho horror such as this takes up far more than the general horror genre ungewürdigte addition to figures such as movie audiences to the core to durchbeben. Just as the peaceful death over their countless dead also take the opportunity to get what they need. To the things in their past, there remained closed.